The project aims to create an extension for the Institute of Contemporary Art (ICA) of Philadelphia with programs for exhibition, education, and assembly. The course of the project focused on the relationship between figures, voids, and poches, of which the rigidness, integrity, and solidity were aimed to be challenged to formulate an interrelationship between spaces and spaces, between exhibited objects and objects. The interrelationship is facilitated by tectonic approaches of a series of surfaces that regulate the visibility, angles, and transmissibility between spaces. With gestural transparency between spaces created by openings between surfaces, the new perspective would be formulated into framed and fragmented images. It would also generate the potential for interaction between the elements between spaces, that place the artwork in different or wider constructs. The control of visibility between the building interior and the surrounding environment also would create possible dialogues with the community that tempers the rectilinear rigidness in contrast to the existing ICA building, to augment the interaction from room to room to architecture to the community.